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One highly opinionated feminist YA nerd's twisted, snarky and informative journey through the genre's perils, pitfalls and sparkles.
Showing posts with label lgbt. Show all posts
Showing posts with label lgbt. Show all posts

Review: "Sister Mischief" by Laura Goode.

“Sister Mischief”

Author: Laura Goode

Publisher: Candlewick Press

Pages: 350.

Synopsis (taken from GoodReads): A gay suburban hip-hopper freaks out her Christian high school - and falls in love - in this righteously funny and totally tender YA debut, for real.

Listen up: You’re about to get rocked by the fiercest, baddest all-girl hip-hop crew in the Twin Cities - or at least in the wealthy, white, Bible-thumping suburb of Holyhill, Minnesota. Our heroine, Esme Rockett (aka MC Ferocious) is a Jewish lesbian lyricist. In her crew, Esme’s got her BFFs Marcy (aka DJ SheStorm, the butchest straight girl in town) and Tess (aka The ConTessa, the pretty, popular powerhouse of a vocalist). But Esme’s feelings for her co-MC, Rowie (MC Rohini), a beautiful, brilliant, beguiling desi chick, are bound to get complicated. And before they know it, the queer hip-hop revolution Esme and her girls have exploded in Holyhill is on the line. Exciting new talent Laura Goode lays down a snappy, provocative, and heartfelt novel about discovering the rhythm of your own truth.

Cover impressions: I’m really not a hip-hop fan and, despite the prospect of a quirky, funny and diverse LGBT love story, I was hesitant to read “Sister Mischief” because of worries over cultural appropriation and such. However, by the end of this book, I was ready to apologise to it for ever doubting how good it would be. This review may not be the most objective thing I’ve ever written. Sometimes a book comes along that you completely fall in love with, even though you know it’s not perfect and you know not everyone will have the same wild feelings towards it as you do but you’re ready to cheerlead for it until everyone stands up and takes notice. I liked this book so much that it’s turned me into a cheesy mess!

First and foremost, it’s a book about identity and individuality. Esme’s a white, Jewish by birth but non-practicing teenager who loves to rap and is coming to terms with her sexuality while living in a Christian conservative town. She and her friends could so easily have slipped into caricature mode, especially with their frequent use of hip-hop speak and slang (which may annoy the hell out of many readers), but Goode fills them with such humour and depth that they’re never anything less than complete characters. It’s so refreshing to read a YA where the group of friends are so close and loving, not just in theory but in practice. There’s been a long period of YAs ruled by loners and outsiders who have a small group of friends they rarely interact with, much less act like real friends with. Throughout their tough times, fights, conversations and laughs, you never for one moment doubt Esme’s love for her friends and vice versa. At first glance they mat fit broad moulds – the butch one, the confident one, the meek Christian girl, the geeky and insecure Indian girl – but they evolve into so much more, busting stereotypes and questioning the identities they’ve been slapped with. They’re young, they do stupid things, they drink and take drugs and have sex, but they’re also smart enough to take responsibility for their actions and grasp the bigger picture, often in a very funny and touching way. They also kick arse!

The hip-hop element was handled with real skill and humour. The girls question their right as Caucasians and Asians (this book also gets huge props for his multi-cultural society which and highlighting the issues of being different in a predominantly SWASP environment – the extra S is for straight, as added by Esme) to appropriate hip-hop and also ask a lot of interesting questions about culture, identity and stereotypes. If I must be a little objective, at points this does feel a little forced, as if Goode is using the girls as mouthpieces, but for the large part, it’s handled well and explored multiple issues without turning it into a preach-fest. Esme frequently notes down lyrics throughout the book, often left as footnotes, along with texts and tweets, using her music as a way to express herself and sort out who she really is.

The relationship between Esme and Rowie was sweet, often beautiful and never simple. It felt real, as did the different ways both girls reacted to their burgeoning sexualities. Esme, the daughter of an extremely liberal single dad to whom she is very close (her dad was one of my favourite supporting characters, but I also loved that all four girls had parental interactions) takes it in her stride for the most part while Rowie is much more reserved, wanting to hide her secret from the world for fear of disappointing her more traditional father, who she believes is already disappointed in her because of her Americanised attitude. Their relationship effects not only them but their friends and family, which we see unfold over the few months the book takes place. It’s a time of change – the book is set around the time Barack Obama was elected President – and this profound moment in time reflects the girls’ struggles. It’s realistic, it’s relatable and, like most teen loves, it’s awkwardly beautiful.

I was, however, disappointed by the portrayal of the main female antagonist. I understand that Goode wanted to set up a contrast to Tess to show the differing attitudes of Christians in teen America – Tess is more relaxed and willing to ask more questions while remaining dedicated to her faith while the antagonist is stricter – but she just came across as a nasty cardboard cut-out. I really wanted to see the community’s wider reaction to the growing LGBT movement in the school, not just from this one token bitchy girl. While we do get an insight into the school’s political workings, it feels insubstantial and disappointing, especially since the rest of the book is so inquisitive and full of colours and ideas, not just black and white. That’s what stops this book from being close to perfect in my eyes.

I loved “Sister Mischief.” I know a lot of people will hate the hip-hop element and there are times where it came close to grating on me, but there was so much love in this book and it was brimming with ideas and questions, I couldn’t help but love it. It’s a book about so many things – love, growing up, discovery, identity, feminism, religion, culture, friendship, school, lies, heartbreak, music, change – and I found it to be nothing less than a delight. It’s not for everyone, it’s not perfect, but I’d still highly recommend it to all. There aren’t many books out there so jam packed with as much creativity, diversity and heart as “Sister Mischief.”

5/5.

"Sister Mischief" will be released in USA on July 12th. I received my e-ARC from NetGalley.com.

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Tweet from @LisaMantchev...

Just got an email from Constable & Robinson... official word that WICKED PRETTY THINGS has been canceled.

Source. I'm assuming the publishers will release an official statement of sorts so I'll update this post when I can. Check out my big link heavy post for a full rundown of events.

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Update on the Wicked Pretty Things anthology...

There's been a lot of hubbub since my last post regarding Jessica Verday, Trisha Telep and the supposed 'alternative sexualities' thing I keep hearing about. A lot of people have been asking me about this so here are a few useful links as to what's been happening:


- The obligatory shameless plug of my latest Book Lantern post where I talk briefly about this and the supposed default mode we have for characters. I think it's really important for us to discuss why LGBTQ characters are so important in fiction, especially YA, as well as characters of colour, different social standings, different cultures, etc. There are a few more things I want to touch upon with this issue, especially in cases where such representation goes wrong (fetishising, tokenism and cultural appropriation ahoy!) but that post will take some time to do properly.


- Jessica Verday offers an update on events, the publishers respond, and why she will not reinstate her story to Telep's anthology. Constable & Robinson announce they have "no direct association" with Telep, completely support LGBTQ fiction and deeply regret any offence caused. Running Press also express similar regrets, announcing they were never involved in Telep's decision which doesn't reflect their philosophy. They also mentioned respecting Verday's decision to stay out of the anthology but will continue with publication.

- Melissa Marr asks for her name to be removed from the publicity and advertising of the anthology (she is not part of the anthology but the cover blurb does describe the stories as having "A Melissa Marr-ish slant.")

- Lesley Livingston, writer of the Wondrous Strange series, pulls out of the anthology.

- Karen Mahoney, author of The Iron Witch and regular contributor to Telep's anthologies, also pulls out.

- Lisa Mantchev also pulls out.

- Brenna Yovanoff, writer of "The Replacement", becomes the fifth writer to drop out.

- Ann Aguirre drops out of a completely different anthology, Brave New Love, also edited by Telep, in protest.

- Seanan McGuire becomes the sixth author to pull out of the anthology. Her LJ post explaining why is here.

- Saundra Mitchell pulls her story from the future Telep edited anthology The Mammoth Book of Ghost stories. Her blog piece is particularly touching and I highly recommend you read it.

- Caitlin Kittredge comments on Cleolinda Jones's summary of events to announce that, while it was too late for her to remove her story from Telep's latest steampunk YA anthology, Corsets and Clockwork, she has told the publishers that she will no longer contribute stories to anything they publish whilst Telep's services are employed.

- This isn't related to anything but it's definitely worth your time. Alex Sanchez's list of LGBTQ books, both fiction and non-fiction, for kids and teens. There are some great recommendations on the list and I urge you to check some of them out, especially the lesser known titles.

- There hasn't been an official announcement about this yet but it seems inevitable. Jackson Pearce's name is no longer on the Wicked Pretty Things GoodReads page and all mention of the anthology has been removed from her website.

- Another writer pulls out of Telep's Mammoth Book of Ghost Romance. Stacia Kane explains why at her blog here.

- Andrew Smith pulls out of the dystopian YA anthology.

- Here's the apology issued by Telep and Constable & Robinson in the comments of the original Verday post, posted 25th March 2011:

I sincerely regret the sequence of events which has led to Jessica Verday’s story ‘Flesh Which Is Not Flesh’ being excluded from the forthcoming anthology Wicked Pretty Things. This has been the result of a misunderstanding on my part which is entirely regrettable. Along with publishers Constable & Robinson Ltd, who commissioned the anthology, and Running Press, who are due to co-publish the book in the United States, I fully support LGBTQ issues. I apologise wholeheartedly for any offence that I have caused and offer the assurance that I would not in future reject any story on the grounds that it included a gay (or any LGBTQ) relationship.

Trisha Telep

- Francesca Lia Block confirms on twitter that she will be staying in the anthology. UPDATE: Just gone up on twitter, 5th April (this is a pretty big deal - for the arguably most well renowned author on the anthology to go from publicly supporting it to dropping out is pretty indicative of how big a mess this has become, especially in the aftermath of Running Press's statement and the contract leak):

"f it no more pretty wicked things for me. i'm withdrawing."

- A Publisher's Weekly article from Christopher Navratil, the publisher of Running Press. To be honest, I think the piece is rather shoddy. Things are missed out, facts are misrepresented and there's no comment from authors who pulled out of the anthology or Telep herself. Telep's decision to ask Verday to change her story is never really touched upon, nor are the reasons why this was a bad thing. Running Press maintain that they are supportive of LGBTQ content in fiction which I believe but we're not getting the full story her and I doubt we ever will.

- Cleolinda Jones has all the latest information, including a copy of the anthology contract where there are no specifications for the story beyond word count and Telep is clearly listed as an agent working for the publisher, not independently. There's more information there that I heartily recommend you read. It's getting murkier and murkier the more information we get.

- Jim Hines offers a new home for the stories pulled from the anthology.

I'll update this post if more developments happen.

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Dear Constable & Robinson/Running Press publishers...

You just lost a customer.


I woke up this morning with a tweet from my friend Catherine Haines directing me to Jessica Verday's blog. Verday, the writer of the Hollow series (which I have not read but am tempted to go out and buy the entire series after this), announced that she would no longer be part of the Wicked Pretty Things anthology, edited by Trisha Telep and published by the above publishers in UK and USA, after she was asked to make some changes to her story:

I've received a lot of questions and comments about why I'm no longer a part of the WICKED PRETTY THINGS anthology (US: Running Press, UK: Constable & Robinson) and I've debated the best way to explain why I pulled out of this anthology. The simple reason? I was told that the story I'd wrote, which features Wesley (a boy) and Cameron (a boy), who were both in love with each other, would have to be published as a male/female story because a male/male story would not be acceptable to the publishers.


I'll try to keep the "not-so-simple" reason from becoming a rant and just sum it up by saying that that was SO Not Okay with me. I immediately withdrew my story and my support for the anthology.

I think we can all agree that's bloody disgusting. Welcome to 2011 everybody; not only do people only want to read stories about straight couples, gay love stories shouldn't even bloody exist! I applaud Verday for sticking to her guns and removing her story from the anthology. Frankly, I am disgusted that such open bigotry was considered acceptable by a publishing house in relation to a YA anthology. Yes, the default mode in fiction seems to be that of the pretty white straight couple but that's not the default mode for life and it damn well shouldn't be the default mode for love. What does this move say about LGBT teens? That they don't deserve love? Everyone deserves love. Who you fall in love with should be inconsequential. Jessica Verday wanted to send a message to her fans that it doesn't matter who you fall in love with but the publishers decided that wasn't good enough for them. I am pretty angry about this. You'd think we'd have moved on from all this, especially in 2011, but obviously not. So goodbye Constable & Robinson/Running Press, you just lost a customer.

I wholeheartedly encourage you all to read as many books as you can, especially those with LGBT characters. Even if some people don't want you to know it, but LGBT teens do exist and their love stories are just as worthwhile as that of the supposed default mode.

EDIT: Trisha Telep, the editor of the anthology commented on Verday's post taking responsibility for the decision:

Oh dear. Might as well give you my two cents. Not that it really matters but... Don't take it out on the publishers, the decision was mine totally. These teen anthologies I do are light on the sex and light on the language. I assumed they'd be light on alternative sexuality, as well. Turns out I was wrong! Just after I had the kerfuffle with jessica, I was told that the publishers would have loved the story to appear in the book! Oh dear. My rashness will be the death of me. It's a great story. Hope jessica publishes it online.

I'm glad that responsibility has been taken for this decision, which was wrong on Telep's part. I question her word choice for one thing (alternative sexuality? Is it automatically more explicit because it features a gay couple? I don't quite understand. Would it be considered 'alternative race' to have depictions of people of colour in teen relationships in this anthology? I'm not buying it.) and the rashness of her decision really says something about this day and age in media for me, especially since YA has proven itself to be one of the more progressive media fields of late in LGBT depictions. I hope Jessica Verday does publish the story online or finds another publisher/anthology for it.

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Review - "Shine" by Lauren Myracle.

“Shine”

Author: Lauren Myracle.

Publisher:Amulet Books.

Pages: 376.

Synopsis (taken from Myracle’s website): When her best guy friend falls victim to a vicious hate crime, sixteen-year-old Cat sets out to discover who in her small town did it. Richly atmospheric, this daring mystery mines the secrets of a tightly knit Southern community and examines the strength of will it takes to go against everyone you know in the name of justice.

Against a backdrop of poverty, clannishness, drugs, and intolerance, Myracle has crafted a harrowing coming-of-age tale couched in a deeply intelligent mystery. Smart, fearless, and compassionate, this is an unforgettable work from a beloved author.

Cover impressions: Before this, I had never read a Lauren Myracle book yet I had always had a level of respect for her based upon her currently being the most banned or challenge author in USA. Her books are challenged for most of the usual reasons YA and kids books are challenged; unsuited to age group, drug references, explicit sexuality, bad language, all that good stuff. With all this in mind, I was eager to see how she handled the topic of gay hate crimes with her latest book, due to be released in May this year. Following my last reading choice, which wasn’t so thrilling, I was looking for something to lift my YA spirits, which “Shine” did, completely exceeding even my wildest expectations.

From the first page, where a newspaper cutting details the horrific crime against Patrick, I was gripped by the story. Myracle has this wonderful talent for saying so much but using so few words. Even when dealing with difficult topics that could easily fall into ham-fisted soap opera territory (homophobia, small town bigotry, meth, sexual assault), Myracle manages to tackle them with sensitivity and make them feel real. The people of Black Creek use language as their main weapon, be it through church gossip or the horrible slurs thrown around casually at different characters (there is frequent use of the ‘f’ word in this book, along with several other similar slurs, but it never feels exploitative or like it’s downplaying their effect. You feel every single one of those insults and they hurt, because words like that exist for a reason and can be very powerful weapons.) The group of small town regulars that make up the story manage to stay on the right side of characterisation – it’s so easy to fall into clichés when talking about small town America, or small town anywhere, so huge credit goes to Myracle for keeping things realistic, gritty and often very ugly.

The general atmosphere created by the book is one of stifling suspicion. Black Creek is a town where everybody knows everything but somehow there still manages to be a myriad of secrets just boiling below the surface. It’s a town where ugliness is just hidden away, occasionally slipping through via a misjudged comment, a shameful confession or something worse. Myracle really nails the dread that Cat feels constantly throughout the story; she’s not even safe in her own town and doesn’t know if she can really trust anyone. Cat is a fascinating and extremely sympathetic character who I think a lot of people will be able to relate but she’s also one that keeps fighting, even when she thought she couldn’t go any further. Watching her story slowly unfold was as interesting to me as the mystery she was trying to solve. The mystery at the heart of “Shine”, that of the identity of Patrick’s attacker, is finely crafted and often very surprising.

The thing about this book that’s really stuck with me is how real it feels. It’s not cartoonish, it never exaggerates or plays down events or reactions, it just presents things are they are. Sometimes nothing else needs to be said. It’s often heartbreaking to read scenes where Patrick’s sexuality is casually described as evil (with much worse language than I care to use), even by the people he calls his friends. It’s portrayal of bigotry is simple, relatable and all too real; it’s something that we see every day, be it through reading of deplorable acts of violence or just a simple word carelessly dropped into conversation. Often no real ill is meant with the latter but we’ve become so conditioned to shrug off the ugly and pretend it’s not there that often it blends in with everyday life and we do forget it’s a bad thing. Once we stop pointing out wrongs and calling out the bad words and actions and bigotry, they become somewhat acceptable for everyone to use. Myracle does a great job, by saying so little, of telling the world that such things are not, never were and will never be acceptable.

Of course the book isn’t perfect, nothing ever is (there are a couple bits where the plotting is loose and Cat finding some strength through a guy felt clichéd and a bit forced, but in the instance of her character, I just couldn’t begrudge her any happiness) but I was so gripped, moved and entertained by this book that I can put them aside. I think “Shine” is a book that deserves a heap of attention. It discusses several important issues for teens yet never talks down to them and weaves them through a well crafted, gripping mystery populated with complex characters and a portrayal of small town life and bigotry that’s all too real. The sad thing is I think this book’s going to cement Myracle’s position on the ALA Banned/Challenged author list for another year. I implore you all to check out this book and, if the time comes, to fight against those who want to ignore the obvious.

5/5.

“Shine” will be released in USA in May 2011. I received my ARC from NetGalley.

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