The Sparkle Project

“Halo”

Author: Alexandra Adornetto.

Publisher: Feiwel and Friends.

Pages: 496.

Summary (taken from GoodReads): Three angels are sent down to bring good to the world: Gabriel, the warrior; Ivy, the healer; and Bethany, a teenage girl who is the least experienced of the trio. But she is the most
human, and when she is romantically drawn to a mortal boy, the angels fear she will not be strong enough to save anyone—especially herself—from the Dark Forces. Is love a great enough power against evil?

Yeah, it’s awful. (As a brief warning, I sort of went off on a tangent of feminist ranting later on in the review but it is related to the book. If this bothers you somehow then please stop reading my blog.)

From the very first paragraph, Adornetto is trying so hard to be poetic with her prose but it just comes across as incredibly awkward and clumsily written. Everything as narrated by Bethany reminds me of when you write a story and just look up a thesaurus for every fifth word or so; it reads like someone trying to write way beyond their maturity. I think it’s unfair to comment on the author’s age in relation to their work but it’s so noticeable throughout the book. The very beginning of the story, with the three angels adjusting to human life, is a big tell-don’t-show info-dump that drags the story to a halt before it even begins, and this complete lack of pacing continues throughout the 400+ pages. We don’t need to know every single detail of the angel-to-human transition straight away; weave it into the story and let the plot continue. Well, what passes for a plot here.

I’m beginning to think that YA writers have become allergic to plots. The recent bunch of popular ones, anyway. Out of the original Sparkle Project 10, I counted 4 out of 10 as actually having a plot. That’s really not a good statistic. The constant meandering between moping and love and moping and feminist rage inducing love was so incredibly dull. Nothing happens for a huge chunk of this book and when stuff does happen it’s nothing to write home about. The book also suffers from the ever increasing trademark of this genre, as well as all Twilight fanfiction, in that Adornetto spends far too long describing thing that just do not matter. The clothes that Ivy wears are not relevant to the plot. The layout of their house does not further the story. None of these things matter in the slightest and even I, with my kink for lush descriptive scenes (although as I said previously, all the descriptive scenes were trying way too hard), was bored senseless.

Of course it wasn’t just the plotting and info-dump overloads that made this book terrible. Let’s not forget the characters. It’s all too common an occurrence to have the plain, boring girl fall in love with the powerful, enigmatic male creature of power in this genre so I was at least hoping for an interesting take on the gender roles being switched. Boy that was optimistic of me. Bethany makes Bella Swan look like Emmeline Pankhurst. For someone who is supposed to be a messenger of God, one of amazing power and strength, she comes across as a whiny, selfish little girl who is incapable of the most basic actions. She, the angel, is the one that needs saving by the human boy! It doesn’t help that the angels just made the stupidest of decisions (where do you station yourself if you want to fight evil? Of course, a high school!) But Bethany really takes the cake. I try not to let my personal opinion of the author’s life or views get in the way of my reviews but having read ‘Halo’ following that pro-abstinence article Adornetto wrote, I couldn’t help but read this book like some sort of silver ring pamphlet. Its desperation to be emotionally manipulative was infuriating. The characterisation was weak across the board, especially with Bethany and cardboard cut-out love interest Xavier.

But here’s the kicker. The bit that made me do the crinkled face in exasperated feminist rage:

It’s been an interesting couple of weeks in terms of pop culture, the phenomenon I am equal parts fascinated and horrified by. Between the Marie Claire article where Maura Kelly told the world that fat people repulsed her to Taylor Swift’s less than subtle attacks on exes and love rivals through the medium of terrible pop country music, one can’t help but wonder why the hell women still put up with this shit.

I was comforted by the justified backlash Ms Kelly’s article received, including planned protests, but we need to remember that Marie Claire deserve more blame than Ms Kelly, a self confessed recovering anorexic who really shouldn’t have been given that article to write in the first place. I’m not excusing her borderline bullying but let’s face it; Marie Claire knew exactly what they were doing. I shudder to think how many page views they got out of this debacle. When was the last time you saw a model or actress above a US size 10 on their covers? Actually, how often do non white, non skinny girls make it onto these magazines?

The problem with the show that repulsed Ms Kelly so much, CBS’s “Mike and Molly” has nothing to do with showing intimacy between the title couple (it’s one of the better aspects of the show – I can’t be the only one that thinks they are adorable on screen), it has to do with the overreliance on fat jokes and taking the easy way out, using the overweight characters as punch-lines rather than giving them the characterisation they deserve. There’s a good show in that mess somewhere (and if I’m being completely honest there, I keep watching in the hope that the good will one day outweigh the bad) but if we keep living with this attitude that it’s okay to mock, deride and bully people based solely on how they look, how are we ever going to change anything? Ms Kelly tried to apologise in the most half arsed manner possible, making the teeth-grinding claim that the severely underweight also make her feel uncomfortable – because eating disorders are such relaxing experiences. A lot of great bloggers have discussed this subject much better than I have and you should definitely check them all out.

Then we go to the opposite end of the mean girl spectrum and here we find Taylor Swift. Her latest album is selling like hotcakes but, as with her previous work, there are things that concern and annoy me. Full disclaimer; I don’t like Taylor Swift’s music. It’s catchy enough but her voice isn’t strong enough (even less so live) and she relies on clichéd, schlocky tropes of innocent love, believing Romeo and Juliet and the Scarlet Letter are happy ever after romances, teardrops in the rain and the infuriating virgin/whore complex she gets away with solely because she’s still seen as some sort of victim thanks to Kanye-gate. Her new album verges on psychotic with her less than mature and stable take on exes and in one song, “Better Than Revenge”, she takes a less than subtle swipe at a girl who apparently stole her boyfriend, believed to be actress Camilla Belle:

"She's an actress / But she's better known for the things that she does on the matress."

Now, who would like to tell me what’s wrong with this?

Slut shaming is common, far too common. I’ve discussed it during the Sparkle Project since it’s the easiest way to make a girl a villain (because as Ms Swift is so keen to point out in her song “Fifthteen”, a girl’s worth is in her hymen) and apart from unhealthy relationships being portrayed as positive, it’s my least favourite trope in the genre. Beyond it being incredibly lazy writing, it does nothing to help women. To quote one of my comedic heroes Tina Fey “You have all got to stop calling each other sluts and whore. It only makes it okay for guys to call you sluts and whores.” Like with bullying and discriminatory attitudes, bad things happen when good people do nothing. Right now with everything going on in the world, where it seems like there isn’t a lot of love or hope for young people, we can do so much better than shameless victim playing, slut shaming, size-ism, anti-women attitudes and all that mess. We certainly don't need people like Swift's fans to be complete children doing stuff like this. Remember how I said that impressionable teenagers are influenced by entertainment and so called role models? There's exhibit A right there. It's Ms Swift's schtick to do stuff like this, to pretend to be the naive little girl who is always the victim fighting against the mean girls but rhe truth is she is the epitome of a mean girl. Genuine people don't slut shame others in the name of record sales and petty squabbles. We know better than that.

I spend a lot of time tearing YA books apart for stuff like this because I genuinely believe that we can do better than this. We certainly deserve better. We don’t need people like Becca Fitzpatrick justifying harassment by saying it’s sexy. We don’t need people like Maura Kelly and Marie Claire to tell us what is and isn’t beautiful. We don’t need mean girls like Taylor Swift to push the lies about sex and women being bad. We don’t need perverts like Terry Richardson trying to pass off sexism and harassment against women as art while the guys get off Scott free. There’s a whole lot that needs fixing, I hope we’re all up for the job.

Anybody who is unfortunate enough to follow me on Twitter probably saw me post a link to this article written by YA author Hannah Moskowitz entitled “The Boy Problem” and they most certainly would have seen me react accordingly. For 10 consecutive tweets. My apologies for that. So to christen the new blog I thought I’d share my polished opinion here.

Moskowitz states in her blog biography that she’s the author of several books, most of which have yet to be released, and also states that most of them have male protagonists so maybe she’s doing some sort of self promotion here. She also offers a brief disclaimer that this piece is her opinion and there will always be exceptions so I’m going to offer exceptions. I can understand where she’s coming from to a point and she’s made some other interesting blog posts about the genre, including one about the exclusivity of YA which I agree with more than this. Right now the genre is very geared towards a female audience because the trend is for Twilight style books. It’s easier to promote something as “The next [insert trend here]” and this is nothing new. We did it with Harry Potter, we’re doing it with Twilight and Percy Jackson and it won’t be long before we do it with the Hunger Games. I can’t comment on her point that boys don’t read YA because obviously I’m not a boy but it does seem like an odd generalisation to make. Gender specific trending is nothing new and while I’m okay with it to an extent (I’d still love more gender neutral media, not just in literature) it is true that since the current bit trend is very much for girls, all the attention is on that. But my main problems with Moskowitz’s article start here:

Write a girl the same way everyone has been telling everyone, forever, to write a girl’ free of gender stereotypes, three-dimensional, and relatable. Seriously, please do, because right now the most popular YA books aren’t pushing this point Moskowitz is making. I’d love to see well written characters of both genders in YA getting the attention they deserve. They’re not being written badly to empower women, far from it. Right now the genre is brimming full of great stories for both boys and girls, not to mention the wide spectrum of literature that teenagers move onto after YA. Right now, as Tamora Pierce offered in her fantastic rebuttal, the market is more open to girls because girls buy more books while boys are more likely to borrow from libraries and the like. Pierce also writes about why she writes female heroes here.

I wish I could conclude this slightly less ranty piece in a more original manner but Ms Pierce said it best. Both boys and girls need heroes and both need books. We all need strong characters and less sexism and less bullshit.